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Welcome to Diesel Exposure IV W White Womens Canvas Trainers Boots, a wiki for the arts, media and humanities.

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Condition:
New with box: A brand-new, unused, and unworn item (including handmade items) in the original packaging (such as ... Read moreabout the condition
Style: Booties
Heel Type: Block US Shoe Size (Women's): 10
Brand: Jambu Color: Brown
Material: Leather Width: Medium (B, M)
UPC: Does not apply

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“The fields of art and architecture are currently witnessing an expansion of the exhibitionary complex: permanent and temporary exhibition spaces proliferate, blending with sites of consumption. Responding to this development, GAM.14 focusses on the act of exhibiting, which reconfigures the spatial limitations of the exhibition, thus creating dynamic sites of contestation and political confrontation. GAM.14 is a collection of current positions from the disciplines of art and architecture assembled around the conceptual effort to distinguish the act of exhibiting from exhibition, opening the potential of exhibiting as an exploratory space to address urgent social and political challenges of our time.”

With contributions by Bart De Baere, Ivana Bago, Ana Bezić, Nicolas Bourriaud, Maria Bremer, Ekaterina Degot, Ana Dević, Anselm Franke, Andrew Herscher, Christian Inderbitzin, Branislav Jakovljević, Sami Khatib, Wilfried Kuehn, Nicole Lai Yi-Hsin, Bruno Latour, Ana María León, Armin Linke, Antonia Majača, Doreen Mende, Ana Miljački, Museum of American Art in Berlin, Vincent Normand, Christoph Walter Pirker, Dubravka Sekuli, Antje Senarclens de Grancy, Katharina Sommer, Anna-Sophie Springer, Barbara Steiner, Kate Strain, Žiga Testen, Milica Tomić, Etienne Turpin, and What, How & for Whom/WHW.

Edited by Milica Tomić and Dubravka Sekulić
Publisher Jovis, Berlin, 2018
ISBN 9783868598544, 3868598545
299 pages

Exhibition
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A Wild Ass Beyond: ApocalypseRN (2018)

“‘Everyone contains a history of contamination; purity is not an option.’

In the event of disaster, we, the people who have always been surviving, will simply continue to survive. We have learned skills you wouldn’t believe, enduring under police states. We refine trauma into gold and use exile as jet propellant.

Yet we lack a vision of our lives past survival. What will we do when we head “back to the land” that was never ours? We do not see ourselves in the paranoiac manuals of preppers, in minimalist lifestyle retreats, in the nativist isolationism of militiamen.

We do not want to repeat these dreams of being the center, forever tyrants over little kingdoms. In this beyond, we will contaminate one another. We first learn from the past, building lookouts to keep our homes from burning.

We then seek an unruly communion. New languages, icons, guides, rituals, spun and fired beneath a twilight canopy of fungi. We claim a gorgeous, baroque maximalism, a future that sounds, looks, and feels like our innermost thoughts.”

Made by American Artist, Caitlin Cherry, Nora N. Khan and Sondra Perry
Published in New York, October 2018
[24] pages

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unbag is a semi-annual magazine that promotes critical engagement with contemporary art and politics. Commissioning artists, writers, and thinkers who work outside of mainstream discourses, unbag functions as a space to explore ideas through discussion and exchange.”

Edited by American Artist (1), Aaron Cooper (1-3), Andy Wentz (1), Charlie Markbreiter (2), Natalia Tuero Germán (2-3), and Mylo Mendez (3)
Publisher unbag, New York, 2017-2018
ISSN 2572-2786
c.98 pages per issue

Issue 1: Metis (May 2017, HTML)
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“Harlem is both an idea and a place. What became known as the ‘Black Mecca’ began as a farming village inhabited first by the Lenape and then by the Dutch. The first Black people in Harlem, both freed and enslaved, worked on farms in the area known as Niew Haarlem. New Haarlem was formally established as a settlement by Peter Stuyvesant in 1658 and was named after the Dutch city of Haarlem. For generations, the sole connection between Niew Haarlem and Niew Amsterdam was a diagonal road built on an old Native path: a street we now call Broadway…

Learn more about this history and the extraordinary contributions of radical Black women who built community, fought for freedom, and imagined other futures, including Williana Jones Burroughs, Regina Anderson Andrews, Ella Baker, Claudia Jones, Lorraine Hansberry, Salaria Kee, Madame C.J. Walker, A’Lelia Walker, Victoria Earle Matthews, Zora Neale Hurston, Louise Thompson Patterson, Dorothy Height, Pauli Murray, Amy Ashwood Garvey, Billie Holiday, Audre Lorde, Madame Stephanie St. Clair, Marvel Cooke, Eslanda Goode Robeson, Una Mulzac, Grace Campbell, and Willie Mae Mallory.

The Radical Black Women of Harlem Walking Tour offers an important contribution to the effort to uplift Black women’s intellectual, social and political work. We encourage community members, students, and educators to use this guidebook to organize tours in New York City, or as inspiration to design guidebooks in other neighborhoods and cities.”

Research and Writing by Asha Futterman and Mariame Kaba
Published in New York, May 2019
20 pages
HT jul

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Alternative Film/Video 2016/17: Discussions: Art Movements / Subversion (2018) [Serbian/English]

This book contains transcripts from two roundtable discussions held during the 2016 and 2017 editions of Alternative Film/Video festival in Belgrade. The themes included the relation of alternative cinema art movements (2016) and subversion (2017).

Participants include Hito Steyerl, Marina Gržinić, Eve Heller, Želimir Žilnik, Peter Tscherkassky, Božidar Zečević, Miloš Miša Radivojević, Zoran Saveski, Lordan Zafranović, Slobodan Šijan, Dejan Sretenović, Greg deCuir, Jr., Bojan Jovanović, Petra Belc, Sebestyén Kodolányi, Miroslav Bata Petrović, Miroljub Stojanović, Bruce Checefsky, Miroslav Bata Petrović, Tomaso Aramini, Zoran Saveski, and Miodrag Milošević.

Publisher Students’ City Cultural Center, Belgrade, 2018
157 pages
via Academic Film Center

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